Erik Mirzoyan holding a clarinet in a dark studio portrait
    Erik Mirzoyan holding a clarinet in a dark studio portrait
    Erik Mirzoyan holding a clarinet in a dark studio portrait

ERIK
MIRZOYAN

ERIK
MIRZOYAN

ERIK
MIRZOYAN

CLARINET · DUDUK · PIANO

CLARINET · DUDUK · PIANO

CLARINET · DUDUK · PIANO

“We should play music to heal people and touch the finest strings of their souls.”

“We should play music to heal people and touch the finest strings of their souls.”

“We should play music to heal people and touch the finest strings of their souls.”

Erik Mirzoyan

Erik Mirzoyan

Erik Mirzoyan

Billboard Magazine · 2024

Billboard Magazine · 2024

READ THE ARTICLE →

    Reflections album cover featuring Erik Mirzoyan with a duduk

FEATURED RELEASE

REFLECTIONS

2025 · Album · Duduk

A recording centred on memory, inheritance and the voice of the duduk. Across seven tracks, Reflections moves through loss, resilience and renewal, approaching traditional repertoire not as something preserved at a distance, but as living music shaped by the present.

ALBUMS

    Reflections album cover featuring Erik Mirzoyan with a duduk

REFLECTIONS

2025 · Album · Duduk

    Solitude album cover featuring Erik Mirzoyan in a dark portrait

SOLITUDE

2024 · Album · Piano

OTHER RECORDINGS

    Hungarian Fantasy No. 1 cover featuring Erik Mirzoyan with clarinet

HUNGARIAN FANTASY NO. 1

2020 · Single · Clarinet

Samsara Passengers album cover

SAMSARA PASSENGERS

2025 · Collaboration · Duduk

Øneheart · Dean Korso · leadwave

Erik Mirzoyan performs duduk on: “shifting sands” and “nomad”

ABOUT

ERIK MIRZOYAN

Erik Mirzoyan is a clarinetist, duduk player and pianist whose international career has been shaped between Moscow and Berlin. The clarinet stands at the centre of his solo, chamber and orchestral work. Performing on both French- and German-system clarinets – a rare command of two distinct instrumental traditions – he moves between contrasting sound worlds, while the duduk and piano give independent voices to other dimensions of his artistry.

His performances have taken him across Europe, the Caucasus, the Middle East and Asia, through major concert halls, opera and theatre productions, international festivals, televised programmes and benefit initiatives. His recording work has brought equal distinction: his duduk album Reflections was named Classical Album of the Year at the 2026 BraVo Awards and included in the GRAMMY Awards longlists for Best Global Music Album and Best Folk Album, while his solo piano album Solitude was longlisted for Best Classical Instrumental Solo.

In 2026, Erik graduated from both the Barenboim–Said Akademie and the Moscow State Tchaikovsky Conservatory. He now continues at the two institutions through a Master of Music in Berlin and the Assistantship–Internship in Moscow.

Across the concert stage and studio, his work increasingly moves beyond interpretation towards projects of his own. Rather than presenting the clarinet, duduk and piano as separate careers, Erik approaches them as different parts of the same musical identity – each carrying its own language, history and possibilities.

    Erik Mirzoyan holding a clarinet in a studio portrait
    Erik Mirzoyan holding a clarinet in a studio portrait

“I position myself first and foremost as a musician.”

“I position myself first and foremost as a musician.”

“I position myself first and foremost as a musician.”

Erik Mirzoyan

Erik Mirzoyan

Erik Mirzoyan

ClassicalMusicNews · 2025

ClassicalMusicNews · 2025

READ THE INTERVIEW →

    Erik Mirzoyan holding a duduk in a blue-toned studio portrait
    Erik Mirzoyan holding a duduk in a blue-toned studio portrait


THE SOUND THAT ECHOES THROUGH GENERATIONS

THE SOUND THAT ECHOES THROUGH GENERATIONS

THE SOUND THAT ECHOES THROUGH GENERATIONS

For Erik Mirzoyan, the duduk is not an alternative to his classical identity. It is a different musical language – one connected to memory, inherited sound and the question of how something deeply rooted in one culture can still communicate beyond it.

For Erik Mirzoyan, the duduk is not an alternative to his classical identity. It is a different musical language – one connected to memory, inherited sound and the question of how something deeply rooted in one culture can still communicate beyond it.

An article by Erik Mirzoyan · Barenboim–Said Akademie · 2025

LIVE

DATES TO BE ANNOUNCED

DATES TO BE ANNOUNCED

DATES TO BE ANNOUNCED

Upcoming performances will be announced here.

Upcoming performances will be announced here.

Upcoming performances will be announced here.

    Erik Mirzoyan holding a duduk in a layered multiple-exposure portrait


    Erik Mirzoyan on stage facing an audience in Bolshoi Theatre
    Erik Mirzoyan holding the BraVo Award on stage in 2026

2026

BRAVO AWARD

BRAVO AWARD

BRAVO AWARD

Classical Album of the Year · REFLECTIONS

Bolshoi Theatre, Moscow

PRESS

INTERVIEWS · WRITING · SELECTED COVERAGE

INTERVIEWS · WRITING · SELECTED COVERAGE

CLASSICALMUSICNEWS

Erik Mirzoyan: “Every day, I learn from myself”

Interview · 2025

EURASIA TODAY

Erik Mirzoyan: “The duduk is a voice that comes from the depths of time”

Interview · 2025

BARENBOIM–SAID AKADEMIE

The Sound That Echoes Through Generations

Article by Erik Mirzoyan · 2025